International Movie Script Database
This is a non-definitive list of films in the public domain in the United States. A number of films exist that certain cited sources believe are in the public domain in the United States. Being in the public domain refers to cinematic, dramatic, literary, musical, and artistic works that no government, organization, or individual owns, and as such is common property.[1] This list is not comprehensive; the vast majority of public domain films are not included here for various reasons.
The full-featured Yearbook of International Organizations includes over 70,000 organization profiles. International Council for Film, Television and Audiovisual Communication: IFTC. Data from database resources may not be extracted or downloaded in bulk using automated scripts or other external software tools not provided within the.
Note: Films in this list may incorporate elements from other works that are still under copyright, even though the film itself is out of copyright.
- 3Documenting public domain status
Copyrightable elements of a film[edit]
There is no official list of films (or other works) in the public domain. It is difficult to determine the public domain status of a film because it can incorporate any or all of the following copyrightable elements:
- Cinematography
- Drama
- Literature
- Music
- Art
- Graphical characters (e.g., Bugs Bunny)[2]
- Fictional characters (e.g., James Bond)[3]
Film copyright involves the copyright status of multiple elements that make up the film.[4] A film can lose its copyright in some of those elements while retaining copyright in other elements.[4] Experts in the field of public domain sometimes differ in their opinions as to whether a particular film is in the public domain.
The use of music in a film can cause uncertainty with regard to copyright. As of 2010, it is not known whether the use of music in a film constitutes publication of the music for the purpose of copyright.[5] Unpublished works are treated differently from published works under US copyright law.[6]
Judicial interpretation of public domain[edit]
Judges, too, differ in their interpretation of the laws governing copyright protection. The United States is a 'patchwork quilt' of inconsistent copyright rules in different federal judicial districts. The courts of one jurisdiction are not obliged to follow the decisions of another.[7] The Supreme Court of the United States (which could resolve those inconsistencies) very seldom decides copyright cases, and then only when an important principle is involved.[citation needed]
Documenting public domain status[edit]
If a film appears on the list below, there is a high probability it has lost some or all of its United States copyright protection or in the case of U.S. government films, was never protected by copyright.
There is no single method for determining if a film, or parts of it, is in the public domain. There are several methods that can be used to document a film's public domain status. These include the following:
The International Movie Script
Lack of renewal[edit]
Prior to 1988, all motion picture films published after 1909 with a copyright notice where the 28th year of copyright would occur before 1988, had to be registered and before the 28th year, the registration had to be renewed, or the copyright for the film would expire and it would enter the public domain. This would apply to all films registered for copyright prior to 1960. Copyright renewals became optional in 1988.
Missing or flawed copyright notice[edit]
Prior to 1978, films had to contain a valid copyright notice in order to claim copyright; at the bare minimum, the copyright notice had to list the word 'copyright' (or, as an acceptable abbreviation, a circled C), the year of publication (which could not be more than one year ahead of the actual publication), and the name of the entity claiming the copyright. From 1978 to 1988, if a work was published without a notice, the creator had five years to claim a copyright by registering it with the U.S. Copyright Board.[8]
For an example, note the case of the television series The New 3 Stooges, pictured. Episodes of the series were published with an incomplete copyright notice with a year and copyright symbol but no claimant. Had the series been published under the terms of the post-1988 Berne Convention, and automatic copyright granted, it would be an orphan work, since it would be unclear which of the three companies involved in its production; Cambria Studios, C3 Entertainment and Normandy Productions; could claim to own the series. Because it was published before the U.S. joined the Berne Convention, its laws requiring the claimant to be explicitly stated ensured the series immediately lapsed into the public domain.
Date of publication[edit]
All motion pictures made and exhibited before 1924 are indisputably in the public domain in the United States. This date will move forward one year, every year, meaning that films released in 1924 will enter the public domain in 2020, films from 1925 in 2021, and so on.
Before the passage of the Copyright Term Extension Act (CTEA) in 1998, the term of copyright in the U.S. was a maximum of 75 years, with the work entering the public domain on January 1 of the 76th year from creation (so, for example, a film made in 1930 whose copyright was properly registered and renewed would enter the public domain on January 1, 2006). As such, all films released before 1923 would have entered the public domain by January 1, 1998. Although the CTEA added 20 years to the terms of all existing copyrights, until 2019, it explicitly refused to revive any copyrights that had expired prior to its passage. On January 1, 2019, the 20 year extension expired and new works began entering the public domain each year thereafter.
Work of the United States government[edit]
All copyrightable works made by United States government employees as part of their official duties are in the public domain from their creation. The status of works made by contractors is dependent on the terms of their contract. Note that this applies only to the federal government, and not to state or local governments, which may or may not claim copyright depending on state laws.[citation needed]
Determine copyright registration[edit]
Motion picture copyright registrations prior to 1978 were published in semi-annual Copyright Catalogs. The Library of Congress also published cumulative Copyright Catalogs of motion picture registrations for the periods
- 1894–1911
- 1912–1939[9]
- 1940–1949
- 1950–1959
- 1960–1969
- 1970–1979
- 1980–1989
All are out of print. However, the Film Superlist series is a complete reprint of all registrations in the Copyright Catalogs for 1894 through 1959. There is no cumulative Copyright Catalog for 1970–1977; the Copyright Office published 16 semi-annual Copyright Catalog booklets covering that eight-year period, but all are out of print and extremely rare. All copyright registrations from 1978 onward are online at the Library of Congress website.
Some decades of The American Film Institute Catalog of Motion Pictures include copyright registration information for feature films (not shorts) of United States origin. This can include a statement that research failed to disclose copyright registration for a particular film. Copyright registration information is given in the following:
- The American Film Institute Catalog of Motion Pictures, 1931–1940; ISBN0-913616-00-1
- The American Film Institute Catalog of Motion Pictures, 1941–1950; ISBN0-913616-39-7
The United States copyright website catalogs all the works prior to 1978 that have been renewed.[10]Several pieces of work have been renewed in the form of collections, thus giving the collection as a whole copyright protection.
Copyright renewal status[edit]
For films registered in 1923–1963 inclusive, it is essential to know the renewal status. The semi-annual Copyright Catalog booklets have virtually complete (at least 99.99%) lists of renewals for the films registered 28 years earlier. Those semi-annual booklets all are out of print. However, for 1923 through 1959, the Film Superlist books match copyright renewals with earlier registrations. Copyright registrations and renewals can be found in
- Film Superlist: Motion Pictures in the U.S. Public Domain 1894–1939 (Volume 1)
- Film Superlist: Motion Pictures in the U.S. Public Domain 1940–1949 (Volume 2)
- Film Superlist: Motion Pictures in the U.S. Public Domain 1950–1959 (Volume 3)
In 1992, Congress changed the copyright law to make renewal automatic for copyrights registered in 1964 and later.
Underlying rights[edit]
Many of the movies listed below are based on plays, novels, magazine stories or a combination of those sources. In some cases, a film's copyright has lapsed because of non-renewal while the underlying literary or dramatic source is still protected by copyright. For example, the movie His Girl Friday (1940) became a public domain film in 1969 because it was not renewed, but it is based on the 1928 play The Front Page, which is still under copyright until 2024 and thus as a practical matter the film cannot be used without permission.[4]
Films[edit]
All films that were released before 1924, or are the work of the United States Government, are now in the public domain in the United States. They are not listed here in order to keep this list to a manageable size. See Category:Films by year for pre-1924 films.
Note: This list is not comprehensive; the vast majority of public domain films are not listed here. This list includes a selection of notable films where a reliable secondary source is available that discusses public domain status. |
Film title | Release year | Director | Studio / Distributor | Entered PD in (year) | Reason for entering PD | Note(s) |
---|---|---|---|---|---|---|
Abraham Lincoln | 1930 | D. W. Griffith | United Artists | 1958[11] | Copyright not renewed.[11] | |
Africa Screams | 1949 | Charles Barton | United Artists | 1977 | Copyright not renewed.[12][13] | |
Algiers | 1938 | John Cromwell | United Artists | 1966 | Copyright not renewed.[14] | |
The Amazing Mr. X | 1948 | Bernard Vorhaus | Eagle-Lion Films | [Data unknown/missing.] | [Data unknown/missing.][15] | Also known as The Spiritualist. |
Angel and the Badman | 1947 | James Edward Grant | Republic Pictures | 1975 | Copyright not renewed.[16] | |
The Animal Kingdom | 1932 | Edward H. Griffith | RKO Radio Pictures | 1960 | Copyright not renewed.[14] | |
At War with the Army | 1950 | Hal Walker | Paramount Pictures | [Data unknown/missing.] | [Data unknown/missing.][17] | |
Attack of the Giant Leeches | 1959 | Bernard L. Kowalski | American International Pictures | [Data unknown/missing.] | [Data unknown/missing.][18] | |
The Bat | 1959 | Crane Wilbur | Allied Artists | [Data unknown/missing.] | [Data unknown/missing.][19] | |
Beat the Devil | 1953 | John Huston | United Artists | 1980 | Copyright not renewed.[20] | The 2016 restoration is not public domain. |
Beau Brummel | 1924 | Harry Beaumont | Warner Bros. | 1952 | Copyright not renewed.[21] | |
Beau Ideal | 1931 (copyright notice: 1930) | Herbert Brenon | RKO Radio Pictures | 1958 | Copyright not renewed.[21] | |
Becky Sharp | 1935 | Rouben Mamoulian | RKO Radio Pictures | [Data unknown/missing.] | [Data unknown/missing.][22] | |
Behind Office Doors | 1931 | Melville W. Brown | RKO Radio Pictures | 1959 | Copyright not renewed.[21] | |
Bird of Paradise | 1932 | King Vidor | RKO Radio Pictures | 1960 | Copyright not renewed.[14] | |
Blood on the Sun | 1945 | Frank Lloyd | United Artists | 1973 | Copyright not renewed.[16] | |
Blue Steel | 1934 | Robert N. Bradbury | Lone Star Pictures | [Data unknown/missing.] | [Data unknown/missing.].[23] | |
Bowery at Midnight | 1942 | Wallace Fox | Monogram Pictures | [Data unknown/missing.] | [Data unknown/missing.][24] | |
The Brain That Wouldn't Die | 1962 (completed: 1959) | Joseph Green | American International Pictures | 1962 | Missing copyright notice[25] | Originally completed in 1959 under the title The Black Door or The Head that Wouldn't Die, it was not released until May 3, 1962 where failure to add the copyright notice resulted in the film entering the public domain.[25] |
Brideless Groom | 1947 | Edward Bernds | Columbia Pictures | 1960s[26] | Copyright not renewed.[26] | |
A Bucket of Blood | 1959 | Roger Corman | American International Pictures | [Data unknown/missing.] | [Data unknown/missing.][27] | |
Captain Kidd | 1945 | Rowland V. Lee | United Artists | [Data unknown/missing.] | [Data unknown/missing.][28] | |
Carnival of Souls | 1962 | Herk Harvey | Herts-Lion International Corp. | 1962 | Missing copyright notice[29] | |
Charade | 1963 | Stanley Donen | Universal Pictures | 1963 | Defective copyright notice.[30] | Original music still in copyright.[31] Original story by Peter Stone still in copyright.[30][32] |
Check and Double Check | 1930 | Melville W. Brown | RKO Radio Pictures | 1958 | Copyright not renewed.[33] | |
Conspiracy | 1930 | Christy Cabanne | RKO Radio Pictures | 1958 | Copyright not renewed.[21] | |
Cyrano de Bergerac | 1950 | Michael Gordon | United Artists | 1980s | [Data unknown/missing.][34][35] | |
The Dance of Life | 1929 | John Cromwell | Paramount Pictures | 1957 | Copyright not renewed.[14] | |
Danger Lights | 1930 | George B. Seitz | RKO Radio Pictures | 1958 | Copyright not renewed.[21] | |
The Deadly Companions | 1961 | Sam Peckinpah | Pathé-America | 1961 | Missing copyright notice[36] | |
Debbie Does Dallas | 1978 | Jim Clark | VCX | 1981 | Missing copyright notice[37] | Dallas Cowboys hold veto power on commercial publication due to unauthorized use of their cheerleaders' trademarks.[38] |
Dementia 13 | 1963 | Francis Ford Coppola | American International Pictures | [Data unknown/missing.] | [Data unknown/missing.][18] | Also known as The Haunted and the Hunted. |
Detour | 1945 | Edgar G. Ulmer | Producers Releasing Corporation | [Data unknown/missing.] | Copyright not renewed.[39] | |
The Devil Bat | 1940 | Jean Yarbrough | Producers Releasing Corporation | [Data unknown/missing.] | [Data unknown/missing.][24] | |
Disorder in the Court | 1936 | Preston Black | Columbia Pictures | 1960s[26] | Copyright not renewed.[26] | |
Dixiana | 1930 | Luther Reed | RKO Radio Pictures | 1958 | Copyright not renewed.[33] | |
D.O.A. | 1949 | Rudolph Maté | United Artists | 1977 | Copyright not renewed.[40] | |
Ella Cinders | 1926 | Alfred E. Green | First National Pictures | [Data unknown/missing.] | [Data unknown/missing.][41] | |
The Emperor Jones | 1933 | Dudley Murphy | United Artists | [Data unknown/missing.] | [Data unknown/missing.][42] | |
Father's Little Dividend | 1951 (copyright notice: 1950) | Vincente Minnelli | MGM | 1978 | Copyright not renewed.[43] | |
A Farewell to Arms | 1932 | Frank Borzage | Paramount Pictures | 1960 | Copyright not renewed.[44] | Based on copyrighted (R177406) novel by Ernest Hemingway. |
Fear and Desire | 1953 | Stanley Kubrick | Joseph Burstyn | [Data unknown/missing.] | Copyright not renewed.[45] | |
The Front Page | 1931 | Lewis Milestone | United Artists | [Data unknown/missing.] | [Data unknown/missing.][46] | |
The General | 1927 | Clyde Bruckman Buster Keaton | United Artists | 1955 | Copyright not renewed.[47] | |
Glen or Glenda | 1953 | Ed Wood | Columbia Classics | [Data unknown/missing.] | [Data unknown/missing.][48] | |
Go for Broke! | 1951 (copyright notice: 1950) | Robert Pirosh | MGM | 1978 | Copyright not renewed.[43] | |
God's Little Acre | 1958 | Anthony Mann | United Artists | [Data unknown/missing.] | [Data unknown/missing.][49] | Colorized version not in public domain.[49] |
The Gold Rush | 1925 | Charlie Chaplin | United Artists | 1953 | Copyright not renewed.[47] | 1942 revised version in copyright. Original 1925 version possibly copyrighted.[50] |
The Gorilla | 1939 | Allan Dwan | 20th Century Fox | [Data unknown/missing.] | [Data unknown/missing.][51] | |
The Great Flamarion | 1945 | Anthony Mann | Republic Pictures | [Data unknown/missing.] | Copyright not renewed.[52] | |
Gulliver's Travels | 1939 | Dave Fleischer | Paramount Pictures | 1967 | Copyright not renewed.[53][54] | |
Half Shot at Sunrise | 1930 | Paul Sloane | RKO Radio Productions | 1958 | Copyright not renewed.[21] | |
His Girl Friday | 1940 (copyright date: 1939) | Howard Hawks | Columbia Pictures | 1967 | Copyright not renewed.[47] | Source material (stage play The Front Page) rights copyright until 2024.[47] |
The Hitch-Hiker | 1953 | Ida Lupino | RKO Radio Pictures | [Data unknown/missing.] | [Data unknown/missing.][55] | |
Hook, Line and Sinker | 1930 | Edward F. Cline | RKO Radio Pictures | 1958 | Copyright not renewed.[21] | |
House on Haunted Hill | 1959 | William Castle | Allied Artists | [Data unknown/missing.] | [Data unknown/missing.][56][57] | |
Indestructible Man | 1956 | Jack Pollexfen | Allied Artists | [Data unknown/missing.] | [Data unknown/missing.][58] | |
Inside the Lines | 1930 | Roy Pomeroy | RKO Radio Productions | 1958 | Copyright not renewed.[21] | |
The Inspector General | 1949 | Henry Koster | Warner Bros. | [Data unknown/missing.] | [Data unknown/missing.][59] | |
It's a Wonderful Life | 1946 (copyright notice: 1947) | Frank Capra | Liberty Films RKO Pictures | 1975 | Copyright not renewed.[60] | While the film images are public domain, under rulings of Stewart v. Abend, the film text (script) is based on the copyrighted short story 'The Greatest Gift'.[60][61][62] Republic also purchased exclusive rights to the movie's copyrighted music to further shore up its rights.[63] |
The Jackie Robinson Story | 1950 | Alfred E. Green | Eagle-Lion Films | [Data unknown/missing.] | [Data unknown/missing.][64] | Ancillary rights owned by Metro-Goldwyn-Mayer. |
The Joe Louis Story | 1953 | Robert Gordon | United Artists | [Data unknown/missing.] | [Data unknown/missing.][65] | |
Kansas City Confidential | 1952 | Phil Karlson | United Artists | [Data unknown/missing.] | Copyright not renewed.[66] | |
Kept Husbands | 1931 | Lloyd Bacon | RKO Radio Productions | 1959 | Copyright not renewed.[21] | |
The Lady Refuses | 1931 | George Archainbaud | RKO Radio Productions | 1959 | Copyright not renewed.[21] | |
A Lady to Love | 1930 | Victor Sjöström | MGM | 1958 | Copyright not renewed.[14] | Based on the play They Knew What They Wanted. |
Last Clear Chance | 1959 | Robert Carlisle | Union Pacific Railroad | 1959 | Not registered for copyright.[67] | |
The Last Man on Earth | 1964 | Ubaldo Ragona, Sidney Salkow | American International Pictures, 20th Century Fox | 1992[68] | Copyright not renewed.[68] | |
The Last Time I Saw Paris | 1954 (copyright notice: 1944) | Richard Brooks | MGM | 1972 | Defective copyright notice.[69] | Music score still protected by copyright.[70] |
Lawful Larceny | 1930 | Lowell Sherman | RKO Radio Productions | 1958 | Copyright not renewed.[21] | |
Leathernecking | 1930 | Edward F. Cline | RKO Radio Productions | 1958 | Copyright not renewed.[21] | |
Letter of Introduction | 1938 | John M. Stahl | Universal Pictures | 1966 | Copyright not renewed.[71] | |
Life with Father | 1947 | Michael Curtiz | Warner Bros. | 1975 | Copyright not renewed.[72] | |
The Little Princess | 1939 | Walter Lang | 20th Century Fox | 1967 | Copyright not renewed.[60] | |
The Little Shop of Horrors | 1960 | Roger Corman | Filmgroup | 1988 | Copyright not renewed.[47][73] | |
Lonely Wives | 1931 | Russell Mack | RKO Radio Pictures | 1959 | Copyright not renewed.[21] | |
Love Affair | 1939 | Leo McCarey | RKO Radio Pictures | 1967 | Copyright not renewed.[14] | |
Love Laughs at Andy Hardy | 1945 | Willis Goldbeck | MGM | [Data unknown/missing.] | Copyright not renewed.[74] | |
The Lucky Texan | 1934 | Robert N. Bradbury | Lone Star Pictures | [Data unknown/missing.] | [Data unknown/missing.].[23] | |
Made for Each Other | 1939 | John Cromwell | United Artists | [Data unknown/missing.] | [Data unknown/missing.][75] | |
Malice in the Palace | 1949 | Jules White | Columbia Pictures | 1960s[26] | Copyright not renewed.[26] | |
The Man from Utah | 1934 | Robert N. Bradbury | Lone Star Pictures | [Data unknown/missing.] | [Data unknown/missing.].[23] | |
The Man with the Golden Arm | 1955 | Otto Preminger | United Artists | [Data unknown/missing.] | [Data unknown/missing.][76] | |
Maniac | 1934 | Dwain Esper | Roadshow Attractions | [Data unknown/missing.] | [Data unknown/missing.][77] | Also known as Sex Maniac. |
Manos: The Hands of Fate | 1966 | Harold P. Warren | Emerson Film Enterprises | 1968 | Failure to display copyright notice.[78] | Original script may have been copyrighted.[78] |
March of the Wooden Soldiers | 1950 | Gus Meins | Lippert Pictures | 1950 | Failure to display copyright notice.[30] | This is a later abridgement of Babes in Toyland (1934), which is still in copyright. Public domain status unclear.[30] |
McLintock! | 1963 | Andrew V. McLaglen | United Artists | 1991 | Copyright not renewed.[79][80] | Music score still under copyright.[79] |
Meet John Doe | 1941 | Frank Capra | Warner Bros. | 1969 | Copyright not renewed.[60] | |
Millie | 1931 | John Francis Dillon | RKO Radio Pictures | 1959 | Copyright not renewed.[21] | |
Mr. Imperium | 1951 (copyright notice: 1950) | Don Hartman | MGM | 1978 | Copyright not renewed.[43] | |
My Dear Secretary | 1948 | Charles Martin | United Artists | [Data unknown/missing.] | [Data unknown/missing.][81] | |
My Favorite Brunette | 1947 | Elliott Nugent | Paramount Pictures | 1975 | Copyright not renewed.[16] | |
My Man Godfrey | 1936 | Gregory La Cava | Universal Pictures | [Data unknown/missing.] | [Data unknown/missing.][82] | While the film images are public domain, under rulings of Stewart v. Abend, the film text (script) is based on the copyrighted 1935 book My Man Godfrey by Eric S. Hatch.[83] |
Night of the Living Dead | 1968 | George A. Romero | Walter Reade | 1968 | Missing copyright notice and errors from the distributor[84] | |
Nothing Sacred | 1937 | William A. Wellman | Selznick, United Artists | 1965 | Copyright not renewed.[47] | |
Of Human Bondage | 1934 | John Cromwell | RKO Radio Pictures | 1962 | Copyright not renewed.[14] | |
Our Town | 1940 | Sam Wood | United Artists | [Data unknown/missing.] | [Data unknown/missing.][85] | |
The Outlaw | 1943 | Howard Hughes | Howard Hughes Prod., United Artists | 1971 | Copyright not renewed.[21] | |
The Painted Hills | 1951 | Harold F. Kress | MGM | 1979 | Copyright not renewed.[43] | |
The Pay-Off | 1930 | Lowell Sherman | RKO Radio Pictures | 1958 | Copyright not renewed.[21] | |
Penny Serenade | 1941 | George Stevens | Columbia Pictures | 1968 | Copyright not renewed.[86] | |
The Phantom of the Opera | 1925 | Rupert Julian | Universal Studios | 1953 | Copyright not renewed.[73] | |
Plan 9 from Outer Space | 1959 | Ed Wood | Distributors Corporation of America | 1987 | [Data unknown/missing.][87] | |
Popeye the Sailor Meets Ali Baba's Forty Thieves | 1937 | Dave Fleischer | Paramount Pictures | [Data unknown/missing.] | [Data unknown/missing.][88] | Second of three Popeye Technicolor two-reel specials. |
Popeye the Sailor Meets Sindbad the Sailor | 1936 | Dave Fleischer | Paramount Pictures | [Data unknown/missing.] | [Data unknown/missing.][88] | First of three Popeye Technicolor two-reel specials. |
Pot o' Gold | 1941 | George Marshall | United Artists | [Data unknown/missing.] | [Data unknown/missing.][89] | |
Quicksand | 1950 | Irving Pichel | United Artists | [Data unknown/missing.] | [Data unknown/missing.][90] | |
Rage at Dawn | 1955 | Tim Whelan | RKO Pictures | [Data unknown/missing.] | [Data unknown/missing.][91] | |
Rain | 1932 | Lewis Milestone | United Artists | 1960 | Copyright not renewed.[16] | |
Randy Rides Alone | 1934 | Harry L. Fraser | Lone Star Pictures | 1934 | Copyright notice lacks claimant.[23] | |
The Red House | 1947 | Delmer Daves | United Artists | [Data unknown/missing.] | [Data unknown/missing.][92] | |
Reefer Madness | 1936 | Louis J. Gasnier | Motion Picture Ventures | 1936 | Improper copyright notice.[93][94] | Also called The Burning Question, Dope Addict, and Tell Your Children. |
Riders of Destiny | 1933 | Robert N. Bradbury | Lone Star Pictures | [Data unknown/missing.] | [Data unknown/missing.].[23] | |
Road to Bali | 1952 | Hal Walker | Paramount Pictures | 1980 | Copyright not renewed on time.[95][96] | Ancillary rights now owned by FremantleMedia. |
Rock, Rock, Rock! | 1956 | Will Price | Distributors Corporation of America | 1984 | Copyright not renewed.[73] | The Chuck Berry soundtrack may not be in the public domain. |
The Royal Bed | 1931 (copyright notice: 1930) | Lowell Sherman | RKO Radio Pictures | 1958 | Copyright not renewed.[21] | |
Royal Wedding | 1951 (copyright notice: 1950) | Stanley Donen | MGM | 1978 | Copyright not renewed.[43] | |
Sagebrush Trail | 1933 | Armand Schaefer | Lone Star Pictures | 1933 | Copyright notice lacks claimant.[97] | Remake of Partners of the Trail (Wallace Fox, 1931) |
Salt of the Earth | 1954 | Herbert Biberman | Independent Productions | [Data unknown/missing.] | [Data unknown/missing.][98] | |
Santa Claus Conquers the Martians | 1964 | Nicholas Webster | Embassy Pictures Corporation | [Data unknown/missing.] | Missing copyright notice[99][100] | Musical score owned by Famous Music. |
Santa Fe Trail | 1940 | Michael Curtiz | Warner Bros. | 1968 | Copyright not renewed.[101][102] | |
Scarlet Street | 1945 | Fritz Lang | Universal Pictures | [Data unknown/missing.] | [Data unknown/missing.][103][104] | |
The Screaming Skull | 1958 | Alex Nicol | American International Pictures | 1958 | Not registered for copyright.[105][18] | |
Second Chorus | 1940 | H.C. Potter | Paramount Pictures | [Data unknown/missing.] | Copyright not renewed.[106] | |
The Secret Hour | 1928 | Rowland V. Lee | Paramount Pictures | 1956 | Copyright not renewed.[14] | Based on the play They Knew What They Wanted. |
The Silver Horde | 1930 | George Archainbaud | RKO Radio Pictures | 1958 | Copyright not renewed.[21] | |
Sin Takes a Holiday | 1930 | Paul L. Stein | RKO Radio Pictures | 1958 | Copyright not renewed.[21] | |
Sing a Song of Six Pants | 1947 | Jules White | Columbia Pictures | 1960s[26] | Copyright not renewed.[26] | |
Sinners in Paradise | 1938 | James Whale | Universal Pictures | 1966 | Copyright not renewed.[71] | |
Smouldering Fires | 1925 | Clarence Brown | Universal Pictures | 1953 | Copyright not renewed.[73] | |
The Snows of Kilimanjaro | 1952 | Henry King | 20th Century Fox | [Data unknown/missing.] | [Data unknown/missing.][107] | |
The Southerner | 1945 | Jean Renoir | United Artists | [Data unknown/missing.] | [Data unknown/missing.][108] | |
A Star Is Born | 1937 | William A. Wellman | Selznick, United Artists | 1965 | Copyright not renewed.[44][47] | |
The Star Packer | 1934 | Robert N. Bradbury | Lone Star Pictures | [Data unknown/missing.] | [Data unknown/missing.].[23] | |
The Strange Love of Martha Ivers | 1946 | Lewis Milestone | Paramount Pictures | 1974 | Copyright not renewed.[16] | |
The Stranger | 1946 | Orson Welles | International Pictures, RKO Radio Productions | 1973 | Copyright not renewed.[109] | |
Suddenly | 1954 | Lewis Allen | United Artists | 1983 | Copyright not renewed.[110] | |
Superman (1940s cartoons) | 1941-1943 | Dave Fleischer, Various | Paramount Pictures | [Data unknown/missing.][111] | [Data unknown/missing.][111] | Although all entries are in the public domain, ancillary rights such as merchandising contract rights, as well as the original 35mm master elements, are owned today by Warner Bros. Animation. Warner has owned Superman publisher DC Comics since 1969. |
Swing High, Swing Low | 1937 | Mitchell Leisen | Paramount Pictures | 1965 | Copyright not renewed.[14] | |
Teenagers from Outer Space | 1959 | Tom Graeff | Warner Bros. | 1987 | Copyright not renewed.[47] | |
The Terror | 1963 | Roger Corman | American International Pictures, Filmgroup | 1963 | Missing copyright registration[112] | In the early 1990s, Corman asked Mark Griffiths to shoot 12 minutes of additional footage starring Dick Miller, thus making a new film titled The Return of the Terror (1991) so Corman could claim his copyright.[113] |
Three Guys Named Mike | 1951 (copyright notice: 1950) | Charles Walters | MGM | 1978 | Copyright not renewed.[43] | |
Till the Clouds Roll By | 1946 | Richard Whorf | MGM | 1974 | Copyright not renewed.[43] | |
Too Late for Tears | 1949 | Byron Haskin | United Artists | [Data unknown/missing.] | [Data unknown/missing.][114] | |
Topper Returns | 1941 | Roy Del Ruth | United Artists | 1969 | Copyright not renewed.[73] | |
Vengeance Valley | 1951 (copyright notice: 1950) | Richard Thorpe | MGM | 1978 | Copyright not renewed.[43] | |
The Wasp Woman | 1959 | Roger Corman | Filmgroup | [Data unknown/missing.] | [Data unknown/missing.][115] | |
West of the Divide | 1934 | Robert N. Bradbury | Lone Star Pictures | [Data unknown/missing.] | [Data unknown/missing.].[23] | |
White Zombie | 1932 | Victor Halperin | United Artists | [Data unknown/missing.] | [Data unknown/missing.][116] | Source material for the film may not be in the public domain.[117] |
Wives Under Suspicion | 1938 | James Whale | Universal Pictures | 1966 | Copyright not renewed.[71] |
Free Scripts For Movies
See also[edit]
Notes[edit]
- G Public domain in the U.S. from creation as work of the United States government
Internet Movie Script Database
References[edit]
- ^'An Introduction to Films and Motion Pictures' at RoyaltyFreeMusic.com Retrieved August 4, 2009
- ^Rich, Lloyd L. (1998). 'Protection of Graphic Characters'. The Publishing Law Center. Archived from the original on September 4, 2015. Retrieved January 20, 2012.
- ^Adler, Kenneth A. (October 1, 1999). 'Using Dramatic Characters in Multimedia Works – Avoiding the Pitfalls'. Thelen LLP. Retrieved October 31, 2010.
- ^ abcFishman (2010), p. 180.
- ^Fishman (2010), p. 181.
- ^Hirtle, Peter B. (October 4, 2010). 'Copyright Term and the Public Domain in the United States'. Retrieved October 31, 2010.
- ^Film Superlist: Motion Pictures in the U.S. Public Domain (1940–1949), page xii.
- ^ abc'Copyright Notice'. Copyright Registration and Renewal Information Chart and Web Site. Retrieved July 16, 2017.
- ^Catalog of Copyright Entries: Cumulative Series. Motion Pictures 1912-1939 (51,112 films), published in 1951. L.C. card, 51-60018. (copy)
- ^'United States Copyright Office Public Catalog'. Retrieved October 10, 2009.
- ^ abPaolo Cherchi Usai (2008). The Griffith Project: Essays on D.W. Griffith. British Film Institute. p. 208. Retrieved January 16, 2016.
- ^Bob Furmanek (February 6, 2004). '8 Abbott & Costello Films Coming!'. hometheaterforum.com. Archived from the original on February 13, 2019. Retrieved February 13, 2019.
- ^John M. Miller, 'Africa Screams, Home Video Reviews', Turner Classic Movies
- ^ abcdefghiPierce (2007), pp. 131-134.
- ^Sullivan, Monica (1998). VideoHound's independent film guide. Visible Ink Press. pp. 12–13.
- ^ abcdePierce, David (March 29, 2001). Legal Limbo: How American Copyright Law Makes Orphan Films(mp3 in 'file3'). Orphans of the Storm II: Documenting the 20th Century. Retrieved January 5, 2012.
- ^Erickson, Hal (2012). Military Comedy Films: A Critical Survey and Filmography of Hollywood Releases Since 1918. McFarland. ISBN9780786492671.page 68
- ^ abcSmith, Gary A. (2009). The American International Pictures video guide. McFarland & Company. p. 8.
- ^Thompson, Nathaniel. 'The Bat'. Tcm.com. Retrieved May 9, 2019.
- ^Bailey, Jason (February 15, 2017). 'A New Cut and Restoration Reframes Bogart and Huston's Strangest Film'. Flavorwire. Retrieved April 2, 2018.
- ^ abcdefghijklmnopqrsPierce (2007), pp. 140-143.
- ^Slide, Anthony (2013). Nitrate Won't Wait: A History of Film Preservation in the United States. McFarland. ISBN9781476604572.[page needed]
- ^ abcdefgEyman, Scott (2014). John Wayne. The Life and Legend. New York: Simon & Schuster Paperbacks. p. 71. ISBN978-1-4391-9958-9.
- ^ abLennig, Arthur (2003). The Immortal Count: The Life and Films of Bela Lugosi. The University Press of Kentucky. p. 465.
- ^ abNathaniel Thompson, 'Cult Movies, The Brain that Wouldn't Die', Turner Classic Movies
- ^ abcdefghHogan, David (2011). Three Stooges FAQ: Everything Left to Know about the Eye-Poking, Face-Slapping Head-Thumping Geniuses. Applause Theatre and Cinema Books.
- ^Coffel, Chris (November 24, 2015). 'HOME VIDEO[Blu-ray Review] 'A Bucket of Blood' is a Bucket of Fun!'. Bloody Disgusting. Retrieved June 23, 2017.
- ^Edgerton, Gary R.; Rollins, Peter C. (2015). Television Histories: Shaping Collective Memory in the Media Age. University Press of Kentucky. ISBN9780813158297.page 274
- ^Blake, Marc (2013). Writing the Horror Movie. Bloomsbury Publishing Plc. p. 91.
- ^ abcdPierce (2007), p. 130.
- ^Online search results for keywords 'Henry Mancini Charade', from US Copyright Office.
- ^The original story basis for Charade is The Unsuspecting Wife by Peter Stone and Marc Behm, which appeared in the July 1961 issue of Redbook magazine. The copyright to the story was renewed by Stone in 1989 (see source: David Pierce (2007), Note #20, pg. 141).
- ^ abPierce (2007), p. 137.
- ^Zuckerman, Faye (March 23, 1985). 'Prism Into Public Domain: 24 Film Classics Set for Release'. Billboard (magazine). Retrieved March 10, 2018.
- ^Marianne Gray (1991). Depardieu. Sinclair-Stevenson, Limited. p. 160. Retrieved January 20, 2016.
- ^Hal Erickson, 'New DVDs, Peckinpah's Deadly Companions and Major Dundee', New York Times
- ^M & A Associates v. VCX, 657 F.Supp. 454, conclusions: 27 (United States District Court April 8, 1987) ('Although Arno asked Weisberg for copyright protection of the film in early 1979, Weisberg first became aware of the legal significance of the omission of the copyright notice from the film in January of 1981. Weisberg thus received 'notice' of the defect at that latter date. See M. Kramer Mfg. Co. v. Andrews, 783 F.2d 421, 443 & n. 21 (4th Cir. 1986). Weisberg's failure to take reasonable [657 F.Supp. 463] efforts resulted in the film being irretrievably injected into the public domain 'several months' later.').
- ^Miller, Jeffrey (2002). Ardor in the Court!: Sex and the Law. ECW Press. p. 152. ISBN1-55022-528-6.
- ^Herzogenrath, Bernd (2009). The Films of Edgar G. Ulmer. Scarecrow Press. p. 151.
- ^Researching the Copyright Status of a Work from Copyright Registration and Renewal Information Chart and Web Site
- ^Codori, Jeff (February 28, 2012). Colleen Moore: A Biography of the Silent Film Star. McFarland. p. 251. ISBN0-786-48899-9. Retrieved July 19, 2018.
- ^Slide, Anthony (2013). Nitrate Won't Wait: A History of Film Preservation in the United States. McFarland. ISBN9781476604572.[page needed]
- ^ abcdefghPierce (2007), pp. 138-139.
- ^ abPierce (2007), pp. 134-137.
- ^Hutchinson, Sean (April 6, 2017). 'Fear and Desire: The Movie Stanley Kubrick Didn't Want You to See'. Mental Floss. Retrieved May 26, 2019.
- ^Ladwig, Samantha (September 5, 2017). '30 Hollywood Classics Streaming for Free in the Public Domain'. Vulture.com. Retrieved March 10, 2018.
... with the first being the 1931 Lewis Milestone–directed The Front Page, which also fell into the public domain.
- ^ abcdefghFishman (2010), pp. 174-180.
- ^Wilson, John (2005). The Official Razzie Movie Guide: Enjoying the Best of Hollywoods Worst. Hachette Book Group.
- ^ abStim, Richard (2016). Getting Permission: How to License & Clear Copyrighted Materials Online & Off. Nolo. ISBN9781413323139.page 268
- ^[1]
- ^Brotherton, Jamie; Okuda, Ted (2013). Dorothy Lee: The Life and Films of the Wheeler and Woolsey Girl. McFarland. ISBN9780786433636.page 152
- ^Peros, Mike (2016). Dan Duryea: Heel with a Heart. Univ. Press of Mississippi. ISBN9781496809933.
The Great Flamarion is among Duryea's more visible efforts because it fell into the public domain when the original copyright lapsed.
[page needed] - ^John M. Miller, 'Mr. Bug Goes to Town aka Hoppity Goes to Town', Turner Classic Movies
- ^David Kehr (March 6, 2009). 'Classics From Disney and a Lilliputian Competitor'. New York Times. Retrieved October 26, 2013.
- ^Ladwig, Samantha (September 9, 2017). '30 classic Hollywood movies you can stream for free'. Business Insider. Retrieved March 10, 2018.
- ^Miska, Brad (January 12, 2017). 'They're Re-remaking 'House on Haunted Hill''. Bloody Disgusting. Retrieved March 10, 2018.
- ^''House on Haunted Hill' screening set in Vacaville'. Daily Republic. October 6, 2017. Retrieved March 10, 2018.
- ^Nathaniel Thompson, 'The Indestructible Man, Cult Movies', Turner Classic Movies
- ^Hicks, Chris (June 18, 2004). 'Chris Hicks: Kaye movies are hard to find on DVD'. Deseret News. Retrieved March 10, 2018.
- ^ abcdPierce (2007), p. 126.
- ^Cox, Stephen. It's a Wonderful Life: A Memory Book. Nashville, Tennessee: Cumberland House, 2003. 115. Print. ISBN1-58182-337-1. Copyright of short story, The Greatest Gift, expires after 2038, 95 years after publication.
- ^'Renewal Registrations, p. 1614.'Catalog of Copyright Entries, January–June 1971, U.S. Copyright Office. Retrieved: November 8, 2010.
- ^Nesi, Ted. 'Why You Can't Watch It's A Wonderful Life on Demand'. WPRI.com. Retrieved August 20, 2012.
- ^Harris, Aisha (April 11, 2013). 'When Jackie Robinson Played Himself'. Slate (magazine). Retrieved March 10, 2018.
- ^Deane, Pamela S. (2009). James Edwards: African American Hollywood Icon. McFarland. ISBN9780786458165.page 82
- ^Kehr, Dave (July 10, 2007). 'New DVDs'. The New York Times. Retrieved April 4, 2018.
- ^Prelinger, Rick (2006). The field guide to sponsored films. National Film Preservation Foundation. p. 52. ISBN978-0-9747099-3-2.
- ^ abJonathan Malcolm Lampley (2010). Women in the Horror Films of Vincent Price. McFarland. p. 98.
- ^Copyright Registration and Renewal Information Chart and Web Site
- ^Online results from keyword search: 'Last Time I Saw Paris Conrad Salinger' in United States Copyright Office. Retrieved June 17, 2012.
- ^ abcPierce (2007), p. 138.
- ^Hannan, Brian (2016). Coming Back to a Theater Near You: A History of Hollywood Reissues, 1914-2014. McFarland. ISBN9780786498130.page 272
- ^ abcdePierce (2007), p. 128.
- ^Film Superlist: Motion Pictures in the U.S. Public Domain (1940-1949), page 222.
- ^Erickson, Glenn. 'Made for Each Other: Home Video Reviews'. Tcm.com. Retrieved May 17, 2019.
- ^Kehr, Dave (October 11, 2005). 'New DVD's'. The New York Times. Retrieved March 9, 2018.
- ^Wilson, John (2005). The Official Razzie Movie Guide: Enjoying the Best of Hollywoods Worst. Hachette Book Group.
- ^ abTHE BATTLE OVER THE WORST MOVIE EVER playboy.com accessed October 3, 2015
- ^ ab'Court Rules for 'Goodtimes' in McLintock! Case', in Billboard, May 14, 1994,pg. 73 & 82
- ^Fishman (2010), p. 337.
- ^Cady, Brian. 'My Dear Secretary (1948): Home Video Reviews'. Tcm.com. Retrieved June 23, 2018.
- ^Esther Rita Sinofsky (1988). A copyright primer for educational and industrial media producers. Copyright Information Services. p. 29. Retrieved January 20, 2016.
But remember the underlying works may still be copyrighted
- ^'My Man Godfry'. Stanford University Copyright Renewal Database. Retrieved January 20, 2016.
- ^Night of the Living Dead entered the public domain because the original theatrical distributor, the Walter Reade Organization, neglected to place a copyright indication on the prints. In 1968, United States copyright law required a proper notice for a work to maintain a copyright. See U.S. Copyright Office, Circular 92, Copyright Law of the United States of America, Chapter 4: Copyright Notice, Deposit, and Registration, Omission of notice on certain copies and phonorecords. Image Ten displayed such a notice on the title frames of the film beneath the original title, Night of the Flesh Eaters but the distributor removed the statement when it changed the title. See Boluk, Stephanie; Lenz, Wylie (June 16, 2011). 'Introduction: Generation Z, the Age of Apocalypse'. In Boluk, Stephanie; Lenz, Wylie (eds.). Generation Zombie: Essays on the Living Dead in Modern Culture. Jefferson, North Carolina, US: McFarland & Company. p. 5. ISBN978-0-7864-6140-0. Retrieved August 26, 2011.
- ^Shales, Tom (May 24, 2003). 'Showtime's 'Our Town': Newman's Own'. The Washington Post. Retrieved May 4, 2019.
Sadly, the movie slipped between the cracks and into the public domain, and there now appear to be no decent prints left in existence
- ^Erickson, Hal (April 18, 2007). 'FILM.COM MOVIE OF THE WEEK: PENNY SERENADE'. MTV News. Retrieved March 10, 2018.
- ^Lodge, Guy (August 20, 2018). 'Film in the public domain: here be buried treasures'. The Guardian. Retrieved February 14, 2019.
- ^ abGrandinetti, Fred (2004). Popeye: an illustrated cultural history. McFarland & Company. p. 125.
- ^Coniam, Matthew (2015). The Annotated Marx Brothers: A Filmgoer’s Guide to In-Jokes, Obscure References and Sly Details. McFarland. ISBN9780786497058.page 199
- ^Neibaur, James L. (2016). The Essential Mickey Rooney. Rowman & Littlefield. ISBN9781442260962.page 184
- ^Herzberg, Bob (2013). Hang 'Em High: Law and Disorder in Western Films and Literature. McFarland. ISBN9781476601243.page 114
- ^Stanley, John (January 6, 2013). 'DVD review: 'The Red House''. San Francisco Chronicle. Retrieved March 10, 2018.
- ^Shaye, Robert (May 22, 2003). 'Graduation 2003'.
- ^Anderson, Patrick (1981). High in America: the true story behind NORML and the politics of marijuana. The Viking Press. p. 101.
- ^Film Superlist: Motion Pictures in the U.S. Public Domain (1950-1959), pages 287, 509.
- ^Film Superlist: Motion Pictures in the U.S. Public Domain (1940-1949), page viii.
- ^Eyman, Scott (2014). John Wayne. The Life and Legend. New York: Simon & Schuster Paperbacks. p. 71. ISBN978-1-4391-9958-9.
- ^Campbell, Christopher (January 7, 2012). '10 Great Films Set in New Mexico – For the State's Centennial'. IndieWire. Retrieved March 15, 2018.
- ^https://tedium.co/2017/10/24/public-domain-film-history-copyright
- ^Wilson, John (2005). The Official Razzie Movie Guide: Enjoying the Best of Hollywoods Worst. Hachette Book Group.
- ^Filmmakers Newsletter Volume 7, Suncraft International Incorporated, 1973
- ^Segrave, Kerry. Piracy in the Motion Picture Industry.
- ^Rapold, Nicolas (February 14, 2014). 'Even Good Films May Go to Purgatory: Old Films Fall Into Public Domain Under Copyright Law'. The New York Times. Retrieved March 10, 2018.
- ^Murray, Noel (November 23, 2005). 'Scarlet Street & House By The River'. The A.V. Club. Retrieved March 10, 2018.
- ^'The Screaming Skull'. AFI Catalog of Feature Films. American Film Institute. Retrieved April 6, 2017.
- ^Simosko, Vladimir (2000). Artie Shaw: A Musical Biography and Discography. Scarecrow Press. ISBN9780810833975.page 89
- ^Hicks, Chris (March 8, 2007). 'DVD reviews: Oldies make their DVD debut'. Deseret News. Retrieved June 16, 2013.
The Snows of Kilimanjaro (1952, color) has injured writer Gregory Peck going over his past to see if his life has meaning, with Ava Gardner and Susan Hayward. This one has been on many public-domain labels, but this is a pristine print and looks gorgeous.
- ^King, Susan (February 24, 1991). 'How Hollywood Dealt with Great Depression'. Los Angeles Times. Retrieved March 12, 2018.
- ^Gerald Peary (October 10, 2010). 'He's on the hunt for lost movie treasures'. Boston Globe. Retrieved October 29, 2015.
Orson Welles's 'The Stranger is their newest HD release, made feasible because the RKO picture has fallen into public domain.
- ^American Film, Volume 11, Issues 1-10. American Film Institute. 1985. Retrieved March 10, 2018.page 70
- ^ abRossen, Jake (2008). Superman Vs. Hollywood: How Fiendish Producers, Devious Directors, and Warring Writers Grounded an American Icon. Chicago Review Press.
- ^Ray, Fred Olen (1991). The New Poverty Row: Independent Filmmakers as Distributors. McFarland & Company, Inc. p. 51.
- ^Stevens, Brad (2003). Monte Hellman: His Life and Films. McFarland & Company, Inc. p. 34.
- ^Arnold, Jeremy. 'Too Late For Tears (1949)'. Tcm.com. Retrieved May 13, 2018.
- ^Dessem, Matthew (July 19, 2017). 'Lena Dunham Is Joining American Horror Story Season 7'. Slate (magazine). Retrieved April 18, 2018.
- ^Rhodes, Gary D. (2001). White Zombie: Anatomy of a Horror Film. McFarland & Company, Inc. p. 280.
- ^Ryan Turek (July 6, 2010). 'What Happened to Tobe Hooper's White Zombie?'. shocktillyoudrop.com. Retrieved August 23, 2013.
Bibliography[edit]
- Fishman, Stephen (2010). The Public Domain: How to Find & Use Copyright-Free Writings, Music, Art & More (5th ed.). Nolo (retrieved via Google Books). ISBN1-4133-1205-5. Retrieved October 31, 2010.
- Pierce, David (June 2007). 'Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain'. Film History: An International Journal. 19 (2): 125–43. doi:10.2979/FIL.2007.19.2.125. ISSN0892-2160. JSTOR25165419. OCLC15122313.